New words, old words

Worldcon 2025 is a few weeks in the rear view mirror, which means I’m already forgetting which notes I took from the panels (and one workshop). I’ve managed to re-read Ammonite, written by Nicole Griffith way before she ever dreamed of becoming a SFWA Grand Master. (She was as gracious as I remember when when she signed my much-used copy.)

I brought back books, of course, including a birthday present to myself, a two-volume collection of Peter S. Beagle‘s short fiction. (My writing coach suggested it would be good for me to read — as if I needed an excuse. He’s awesome in that quiet way we should also aspire to.)

All those new words have to contend with the existing inhabitants of Mount TBR, plus all the magazines/online pubs that I most definitely will get to soon.

It’s a fool’s errand. Barring a sudden retirement and/or lottery win, I will struggle. However, I am approaching the Sisyphean path with a more critical eye. The stories are to be enjoyed as a reader and pondered as a writer. The trick, as always, is to hold oneself open to inspiration without self-criticism. Keep your eyes on your own paper, etc.

It’s also important to recognize when something isn’t a good fit. I’m getting better at setting things aside for later, or donating them outright without feeling I have to finish it first. No one will know unless you tell them.

For bonus points, I’m going to sift through all these new words and ideas and questions and pull out some nuggets that I can put into my revisions. They need some love.

Worldcon Seattle 2025 – briefly

Highlights:

  • Seeing so many trees again and the massive buildup of downtown in the past decade.
  • Muppets and Puppets panel that went accidentally R-rated.
  • Insightful workshop with Arley Sorg on finding your theme.
  • Autographs with Nicola Griffith and Charlie Jane Anders.
  • buying only 2 books!
  • Readings from Nancy Kress, Alex Shvartsman, Cat Rambo, and Jordan Korella.
  • Random friend encounters with special tip of the driving cap to AT Greenblatt and Casey Blair. We hadn’t seen each other in forever.
  • Amidst some awkward glitches at the Hugo Awards, it was lovely to see the movie studios taken to task for consistently forgetting to send someone to collect their awards.
  • Finally, the last panel on generating flash fiction in 5 minutes (don’t try this at home) featured one pro writer who unabashedly hungover from the post-award festivities.

Back to work tomorrow morning. But hey, they’ll be time for writing after.

Seattle Worldcon 2025 – overview

Seattle Worldcon logo I’m here through the weekend, listening and learning. Buying things, of course. Most days I’ll be wearing an aloha shirt, blue-grey driveling cap, and a black mask. If you know me, say hi!

 

 

Getting a dose of civilization

SAS aircraft awaiting passengers

San Francisco International

It’s been a rough year for 99% of the planet. Some of us are fortunate enough to still have resources to keep mind and body together, and even occasionally do Art.

But it ain’t easy. Year to date, I’ve published only a single flash story, “The Avenging Angel of Big Robinson” in MetaStellar. I wanted to explore PTSD from a different perspective – literally from the top of a watchtower. Go and have a read

Writing has been so challenging that I gave myself permission to slow down a bit. As part of my hoped-for reset, I came back to Sweden, back to the summer house my maternal grandparents acquired many decades before. It’s located in Särdal, a township with many sweet touches: an antique windmill/cafe, a family campground, and farms that run little stands that permit unescorted visitors to pack a bag with amazing produce, eggs, honey, and even prepackaged lamb and leave a note listing our purchase. Just text your payment (or leave actual cash in the box).

It certainly helps that the sun is out from 4:30 am – 10 pm, or thereabouts, and the rain is sporadic (at least this summer). We try to catch that sunset most nights, to put a calming close to another day.

The coastline near the summer house inspired one of my favorite stories. You can find it over at Little Blue Marble. (Bonus points – I was able to provide the story’s photo.)

I know this is only a temporary respite. There’re edits to submit to DayJob (with a 9-hour difference), and I’m very much aware that while I look like a local, my limited Svensk gives away my nationality in a moment.

On the good side, the Swedes are very understanding of our predicament.

If you can, take in a sunset today. I plan to.

Be well.

Sunset in Sweden, July 2025

Särdal, west coast of Sweden

Letting the fields lie fallow

I use the analog of mining when it comes to writing: digging deep and often, looking for those usable word nuggets. But sometimes you play out a particular idea seam and have to move to another spot. Set up camp and unpack the shovels. Et cetera.

A different analogy has taken hold this year: farming, specifically the idea of letting your fields like fallow. If you sow and reap the same crop constantly without replenishing the soil’s nutrients, you’ll eventually wear the fields. You have to pour in fertilizer and work harder for smaller yields. And those wheat stalks look pretty dismal.

I’ve been trying to maintain a schedule of new fiction every month and revising older fiction, plus the usual business of submitting and tracking submissions. The words are still there, but not the satisfaction (or those tasty, tasty sales).  I find myself struggling with drafts and then tossing them into the bin because they looked… wrong.

So after much contemplation and (virtual beating of my forehead against the keyboard), I’ve come to the strikingly obvious conclusion that I need to cut back. Shift the crops from drafting to revising, or — wait for it — taking care of the writer brain. Reading more. Watching some lectures. Sitting on the meditation cushion as often as needed, which is a lot these days. (Gestures vaguely to the oligarchy madness and general destruction.)

Fallow fields by Daniel Joder Photography

Exercising. Napping. Napping is good, too.

I will still be hosting my writing hangouts because they’re important. If the words don’t come, then at least I’ve had the company of my fellow humans.

Thanks for visiting.

A libation of espresso

I visited the grave of my friend, Dr. John A. Maynard, this morning. He’s buried, along with several thousand other veterans, in the Bakersfield National Cemetery. (Specialist Maynard served in Germany during the Vietnam era.)

It was a bit surreal: a bright, sunny Sunday morning and the place was empty, apart from a security guard who stayed at the main road entrance. I literally had the entire place to myself.

bare tree and empty bench overlooking rows of white headstones

John and I worked together for a right prig of a history professor/Dean of Libraries at the University of Southern California in the early ’80s. I was slinging “fantastic (fantasy) literature” for my MFA while John was writing his Ph.D. dissertation (American History). We’d taken regular DayJobs at the school’s main library since it was one of the few ways to get tuition reduction. (Not a free ride by any measure!)

We became friends. He became something of my gentle mentor and social guide rail, because I was prone to crossing the clever/asshole line a lot more back then. We also shared an interest in photography. He took my wedding photos and I returned the favor.

Following graduation, John went off to work for a skeezy trade magazine publisher in Santa Monica, and I eventually followed. The business was essentially an ad-generating scheme run on old, often faulty IBM Selectric typewriters and manual layout. Computers? Ha!

One of John’s habits was to bring his own decaf espresso to the office, making mug after mug in his little one-cup Melitta.

I moved north to pursue massage therapy,  technical writing, and web design. Typical ’90s stuff. John became a well-loved professor of history at Cal State Bakersfield with a deep understanding of the American counter-culture movement. Beat poets were his jam.

He died in 2022 after a long illness. But COVID and mundane reality conspired to keep me away.

Lately, I’ve been wrestling with grief, specifically unresolved grief. In a previous blog, I noted that grief is a ninja. It can spring upon you unaware, or hang out all the damn time, masquerading as a low-level respiratory thing. Nope, it’s not COVID, it’s grief, lounging in your chest, eating all your snacks and refusing to take out the trash.

To make the peace with at least the first emotional couch potato, I drove the long, straight, dull Highway 5 from the Bay Area to Bakersfield. After a night of broken sleep (bad motel), I went to a local Bottoms Up Espresso shack, where an attractive young woman in a ridiculously sexist uniform fixed me a double espresso, decaf. (I’d like to think John would’ve laughed at the whole ridiculous picture.)

I drove to the cemetery, sat in front of his headstone, and said, “I miss you.” Then I had a good, long cry. After pouring out a libation of espresso, I read him the story I’d dedicated to him in the Strange Wars anthology (“Burial Detail”). Had another good cry.

White gravestone engraved with name "John Arthur Maynard"

Then I said, “Thank you,” and drove off, leaving the peaceful scene to the next visitor.Sepia-tone photo of bearded middle-age man

Dr. John Arthur Maynard
Great mind, great friend

Eligibility Post 2024

My fiction appeared in more podcasts than anything else, which was a first. One story appeared in print for the third time, also a record for me. My tales touched on sabotage, murder, demons (of course), ghosts, and celestial mysteries. Without further ado, here’s all my new fiction published in the past year:

Most of these are freely available, so go for it. I’m particularly happy with “Pulling up the Moon,” which came out of Worldcon and cold medication.

Enjoy!

(And if you wanted to nominate anything for some sort of award, I wouldn’t say no.)

Spoke too soon and 2024 writing stats

I sold another story this week, “Never Leave the House Without Your Purse,” to Sudden Fictions. (TW for domestic violence) It should drop on December 28, 2024, making it my seventh appearance on the podcast this year. Yowza!

That, combined with the much-much-delayed extension of my DayJob contract, might be seen as a bona fide Holiday Miracle. So without further ado, I present my Year in the Word Mines, 2024 edition. (And no, I don’t track my daily/weekly/monthly word count. Such things feed my Anxiety Weasels.)

Sales: 9 new and 2 reprints

Stories completed: 18 (okay, one was a Drabble contest, but still)

Submissions: 75

Next up, the Eligibility Post.

A last dip in the ocean for 2024

It’s always lovely to see my words in (virtual) print again. If you missed it the first time out, here’s your chance to read, “Come the Waters High.”

Given the usual backlog/delays in publishing, I suspect this will be my last fiction for the year. (Sad trombone emoji?)

There are other cool stories over at Stupefying Stories, too. Check ’em out!

Coming soon – my year in fiction.

Not bad for 50

I recently published a flash story, “Pulling up the Moon” (and blogged about it here as well). As I was posting the news about it on the usual social networks, I started to wonder: how many stories have I sold?

I went back through my archives, including downloads from diskettes, for Buddha’s sake, until I was able to reconstruct a fairly accurate record of how many pieces of fiction were bought by an editor (though not necessarily published).

50. That’s how many. Fifty stories. (There was a bit of poetry and other things, but let’s focus on the core.) How did that happen?

I was that many years old when I went to my first professional writing workshop, Viable Paradise. I learned many things, made some actual industry contacts, and vowed to taking this whole writing thing seriously. Before VP, I’d sold 7 stories, 2 to pro markets.

Not long after I graduated from VP, I sold my 8th story (“Layover”) to a pro market, which earned me Full Member status at SFWA.

The time between the 7th & 8th sale was… 19 years. That first ten were a time of much darkness and confusion. The next nine were pretty much devoted to parenting and DayJob™.

I still wrote during the interregnum. And submitted. Don’t get me wrong. I was missing the target, though. Not sticking the landing. Flaying about with mediocre ideas. Et cetera.

The next few years saw a gradual, not quite consistent, improvement in both the quality and quantity of my fiction output (and concurrent submissions). The sales ticked up.

In 2023, I managed to sell a dozen stories. Six so far this year.

I don’t have a favorite. Some of definitely stronger than others (and SF doesn’t always age well). For my flash stories, I’m quite fond of  “We Who Stay Behind,” “Stones of Särdal,” and “The Last Best Day of Antonio Silveri, Ph.D.” There are many others that showcase some darker humor, like “Five Things You Should Know Before Summoning a Demon” and “Harry the Ice Man.” In the slightly longer range, I still like “Papa Pedro’s Children” and “The Astrologer of the Fifth Floor.” “Sullied Flesh” has surprised me with its prescience. “Schadenfreuders” makes me smile.

“Jizo Rides the Bus” was my answer to grief. (The memorable stories, I realized, have their own unique origins. There is no common template.)

This journey started on a Mac 256K (remember those?) in 1988 with “Potential Gains” for Beyond magazine (photocopied and stapled by hand) and continues on a MacBook, where I composed “Pulling up the Moon” for Stupefying Stories.

If I get to 100 stories, I suppose I’m legally required to write a novel.

Thanks for reading.

Karl