A libation of espresso

I visited the grave of my friend, Dr. John A. Maynard, this morning. He’s buried, along with several thousand other veterans, in the Bakersfield National Cemetery. (Specialist Maynard served in Germany during the Vietnam era.)

It was a bit surreal: a bright, sunny Sunday morning and the place was empty, apart from a secure guard who stayed at the main road entrance. I literally had the entire place to myself.

bare tree and empty bench overlooking rows of white headstones

John and I worked together for a right prig of a history professor/Dean of Libraries at the University of Southern California in the early ’80s. I was slinging “fantastic (fantasy) literature” for my MFA while John was writing his Ph.D. dissertation (American History). We’d taken regular DayJobs at the school’s main library since it was one of the few ways to get tuition reduction. (Not a free ride by any measure!)

We became friends. He became something of my gentle mentor and social guiderail, because I was prone to crossing the clever/asshole line a lot more back then. We also shared an interest in photography. He took my wedding photos and I returned the favor.

Following graduation, John went off to work for a skeezy trade magazine publisher in Santa Monica, and I eventually followed. The business was essentially an ad-generating scheme run on old, often faulty IBM Selectric typewriters and manual layout. Computers? Ha!

One of John’s habits was to bring his own decaf espresso to the office, making mug after mug in his little one-cup Melitta.

I moved north to pursue massage therapy,  technical writing, and web design. Typical ’90s stuff. John became a well-loved professor of history at Cal State Bakersfield with a deep understanding of the American counter-culture movement. Beat poets were his jam.

He died in 2022 after a long illness. But COVID and mundane reality conspired to keep me away.

Lately, I’ve been wrestling with grief, specifically unresolved grief. In a previous blog, I noted that grief is a ninja. It can spring upon your unaware, or hang out all the damn time, masquerading as a low-level respiratory thing. Nope, it’s not COVID, it’s grief, lounging in your chest, eating all your snacks and refusing to take out the trash.

To make the peace with at least the first emotional couch potato, I drove the long, straight, dull Highway 5 from the Bay Area to Bakersfield. After a night of broken sleep (bad motel), I went to the Bottoms Up Espresso shack, where an attractive young woman in a ridiculously sexist uniform fixed me a double espresso, decaf. (I’d like to think John would’ve laughed at the whole ridiculous picture.)

I drove to the cemetery, sat in front of his headstone, and said, “I miss you.” Then I had a good, long cry. After pouring out a libation of espresso, I read him the story I’d dedicated to him in the Strange Wars anthology (“Burial Detail”). Had another good cry.

Then I said, “Thank you,” and drove off, leaving the peaceful scene to the next visitors.

Dr. John Arthur Maynard
Great mind, great friend

Eligibility Post 2024

My fiction appeared in more podcasts than anything else, which was a first. One story appeared in print for the third time, also a record for me. My tales touched on sabotage, murder, demons (of course), ghosts, and celestial mysteries. Without further ado, here’s all my new fiction published in the past year:

Most of these are freely available, so go for it. I’m particularly happy with “Pulling up the Moon,” which came out of Worldcon and cold medication.

Enjoy!

(And if you wanted to nominate anything for some sort of award, I wouldn’t say no.)

Spoke too soon and 2024 writing stats

I sold another story this week, “Never Leave the House Without Your Purse,” to Sudden Fictions. (TW for domestic violence) It should drop on December 28, 2024, making it my seventh appearance on the podcast this year. Yowza!

That, combined with the much-much-delayed extension of my DayJob contract, might be seen as a bona fide Holiday Miracle. So without further ado, I present my Year in the Word Mines, 2024 edition. (And no, I don’t track my daily/weekly/monthly word count. Such things feed my Anxiety Weasels.)

Sales: 9 new and 2 reprints

Stories completed: 18 (okay, one was a Drabble contest, but still)

Submissions: 75

Next up, the Eligibility Post.

A last dip in the ocean for 2024

It’s always lovely to see my words in (virtual) print again. If you missed it the first time out, here’s your chance to read, “Come the Waters High.”

Given the usual backlog/delays in publishing, I suspect this will be my last fiction for the year. (Sad trombone emoji?)

There are other cool stories over at Stupefying Stories, too. Check ’em out!

Coming soon – my year in fiction.

Not bad for 50

I recently published a flash story, “Pulling up the Moon” (and blogged about it here as well). As I was posting the news about it on the usual social networks, I started to wonder: how many stories have I sold?

I went back through my archives, including downloads from diskettes, for Buddha’s sake, until I was able to reconstruct a fairly accurate record of how many pieces of fiction were bought by an editor (though not necessarily published).

50. That’s how many. Fifty stories. (There was a bit of poetry and other things, but let’s focus on the core.) How did that happen?

I was that many years old when I went to my first professional writing workshop, Viable Paradise. I learned many things, made some actual industry contacts, and vowed to taking this whole writing thing seriously. Before VP, I’d sold 7 stories, 2 to pro markets.

Not long after I graduated from VP, I sold my 8th story (“Layover”) to a pro market, which earned me Full Member status at SFWA.

The time between the 7th & 8th sale was… 19 years. That first ten were a time of much darkness and confusion. The next nine were pretty much devoted to parenting and DayJob™.

I still wrote during the interregnum. And submitted. Don’t get me wrong. I was missing the target, though. Not sticking the landing. Flaying about with mediocre ideas. Et cetera.

The next few years saw a gradual, not quite consistent, improvement in both the quality and quantity of my fiction output (and concurrent submissions). The sales ticked up.

In 2023, I managed to sell a dozen stories. Six so far this year.

I don’t have a favorite. Some of definitely stronger than others (and SF doesn’t always age well). For my flash stories, I’m quite fond of  “We Who Stay Behind,” “Stones of Särdal,” and “The Last Best Day of Antonio Silveri, Ph.D.” There are many others that showcase some darker humor, like “Five Things You Should Know Before Summoning a Demon” and “Harry the Ice Man.” In the slightly longer range, I still like “Papa Pedro’s Children” and “The Astrologer of the Fifth Floor.” “Sullied Flesh” has surprised me with its prescience. “Schadenfreuders” makes me smile.

“Jizo Rides the Bus” was my answer to grief. (The memorable stories, I realized, have their own unique origins. There is no common template.)

This journey started on a Mac 256K (remember those?) in 1988 with “Potential Gains” for Beyond magazine (photocopied and stapled by hand) and continues on a MacBook, where I composed “Pulling up the Moon” for Stupefying Stories.

If I get to 100 stories, I suppose I’m legally required to write a novel.

Thanks for reading.

Karl

The power of inspiration and cough medicine

I had a new story drop this week, “Pulling up the Moon.” It was written from a prompt provided by my editor and online-buddy, Bruce Bethke. Essentially, Bruce wanted stories that were inspired by the fictional events of Space:1999, that delightfully cheesy SF series produced by folks better known for their “Supermarionation” shows like Thunderbirds and Fireball XL-5.

September 13, 2024 is the 25th anniversary of the disaster that never happened. Could I write something that shared the same themes (if not DNA) of the disappearance of the moon following a massive nuclear explosion that drove our beloved satellite from orbit?

Sure, why not? I was at Worldcon in Scotland and I’d been listening to talks about technology (good and disastrous), storytelling, and our response to climate change. I was also pushing through the first week of post-COVID. Coughing and wheezing. Taking lots of OTC medications.

Apparently, the part of my brain that criticizes every single damn sentence as it’s written was offline, and I wrote the opening sentence: “Every night we pull up the Moon.”

Enjoy. Thanks for stopping by.

“Pulling up the Moon”

Death and the Nebulas

Nebulas 2024 sign

The 2024 Nebula Conference was held this month in Pasadena, which is a ridiculously short flight away (Oakland—Burbank), so I bought a ticket and signed up to volunteer. Decided to pass on the banquet due to $$. (Later, I was given a dinner ticket by mistake and they refused to take it back. Free rubber chicken!)

But the week before the event was a confluence of DayJob stress, side effects from my prescription, and the death of a friend, Gabriel de Anda. Since Gabriel was one of my three oldest friends who still lived in the greater Los Angeles area, I had planned to see him. It had been a few years. Plague, political fuckwits, and contracting chaos had all contributed to the situation.

It’s a pretty poor excuse in retrospect. The constant distraction of Mundane Reality is, well, distracting. You talk with friends, or see them on Zoom, but if they’re more than a hour or two away by any sort of transit, any plans for sitting down to eat freshly grilled fish and drink pisco sour never come to fruition.

Then that bastard cancer drops by and well, bad things happen. Sometimes they happy really fast. I had just emailed Gabriel to confirm his physical address so I could drop a graduation announcement in the mail. Oh, and I was going to be in Pasadena the following weekend. Maybe we could get together.

He responded immediately. Said he’d been in the hospital for two weeks and was now home under hospice. Some kind of unknown cancer. He expected to be gone in a few days and was starting to say his goodbyes.

WTF? WTAF? I mean, he was doing edits on a story promised to a pro SF magazine. This was a totally shitty time to die. (Yes, there’s rarely a good time.)

I almost canceled my plans. Looked into a last-minute flight and hotel, but couldn’t put it together. (Migraines are a grand thing, aren’t they?) I hoped that Gabriel would still be around in a week when my brain was back online and I was within striking distance.

He wasn’t. Three days after we corresponded about literary estates and my possible contribution of an afterward to his story, his widow posted the news of his passing.

Shit.

So I went to the Nebula Conference in a weird fog. While it was truly good to see a few friends, it was also good that the panels were being streamed and recorded because I hid out in my room. A lot. I threw myself into a new flash story for a contest with a painfully short deadline. I slept more than usual.

Then I saw that my latest podcast story had dropped (“There are Worse Travel Companions” – Sudden Fictions). The story is about a man who works in an orbital crematorium. It’s a brief conversation about how we treat the remains (cremains) of loved ones.

The synchronicity wasn’t pleasant.

Fortunately, I have two dear friends, Tash and Dan, who live in the greater LA/Orange County. I saw them both last weekend. Gave them books. Talked their ears off. Hugged and was hugged in returned.

It struck me at one point that all four of us had shared only one experience: my wedding. Here’s Gabriel back on that day in 2000:

Gabriel de Anda, Esq.

I like to think his mind was filled at that moment with its usual urbane and clever thoughts. In addition to being an attorney fighting for the underdog, Gabriel was a writer of lush, poetic SF. He was one of my first students in a continuing ed course of “Writing the Fantastic” or some-such. After the class ended, we became friends, trading letters and story drafts for three decades.

Our styles were nearly opposite. He sometimes compared my writing to a zen garden, clean and focused (ha!), while his writing felt more like a swirl of ants trying to find a scent trail. My advice to him usually boiled down to Whoa there, partner. Do you really think you need three adjectives to describe that thing? Pick the best one. But Gabriel was a baroque artiste who believed in good excess. He loved Ridley Scott and Gaudí, William Gibson and secret interstellar societies, good coffee and street art.

He read everything I published (and some things I didn’t) and asked me repeatedly when was I going to write a novel. When I retire, I answered. Don’t worry, you’ll get a chance to see the first draft.

Damn.

So tomorrow I will go back into the word mines and chip away at a new vein, because someone has to tell the story.

Adios mi amigo. Adios.

In which I tip my toe into the noir pool

A recent prompt for the Sudden Fictions podcast was “femme fatale,” so I thought about my time in Los Angeles and came up with this one: “The Mystery Girl of Doheny Boulevard.” Enjoy!

 

It’s still winter, so I wrote about ice

Actually, it’s warming up a bit here in the Bay Area, but the story prompt at Sudden Fictions was “ice.” So I wrote about Harry.

For your listening pleasure:

https://rbwood.com/dir/sf-podcast/episode-47-harry-the-ice-man-by-karl-dandenell/

Happy (Accidents) and New Year

If you’ve been following along on my fiction journey, you may note my recent appearances on Sudden Fictions, R.B. Wood’s podcast. He likes to toss out a writing prompt every month or so, and ask his fellow writers to contribute.

Well… I saw the prompt (“Celebration”) and came up with I thought was a cool low-key horror story that might work in <1000 words. In reality, I had conflated that word with all the NY Eve prep. The actual prompt was “Champagne.”

champagne cork flying out of bottle

D’oh!

So I threw my original idea into the metaphysical drawer and sat myself down on Jan 1 to write something about that fancy wine. A day later, I had “The Last Year of Champagne.” It was a fun idea to play with. The ever-gracious R.B. bought the piece and recorded it later in the week (despite his, ah, disagreement with la langue française).

Enjoy episode 40 of Sudden Fictions.